In the Details

Ya know what grinds my gears? Hearing a magician (I could expand this to other craftspeople, but it’s magicians that really get up under my skin with this) say about their mediocre routine or act: “Well, it plays.” … and they genuinely believe that “It plays” is good enough to put it in front of an audience. Never mind if the audience pays or not, to settle for mediocrity in your craft is (to me) unacceptable.

Excellence and the road toward it are worth the effort. Worth the pain, worth the struggle, worth the sweat equity put into it. Please … my brothers and sisters in the craft of magic: stop settling for mediocrity. Raise the bar for the sake of your own craft, your own heart.

My act “LIAR!” is a beautiful, moving piece of my heart that I crafted over many years. I’m very proud of it and I continue to hone it. I want to perform it in semi-permanent venues. Two weeks in one city, a month in another …
It’s not the best it can be. It’s quite a ways away, and I’ve been pushing back on the improving of it by telling myself: “It plays.” I could do it for the rest of my life as is and my audience would be enthralled and moved and i could legitimately call it art, but in my heart, I’m unsatisfied. It says all the things I want it to say. It has drama and comedy and nostalgia in just the right amounts (almost, still tweaking). It could say it more clearly, if I’m honest with myself.

There’s a routine that needs to be cut. It simply and honestly does not fit with the rest of the texture and path of the rest. It’s one of the oldest routines, I love performing it, it gets requested often, and it’s a sure thing. I could close with it and get a standing ovation every night.

It has to go.

I’ve created something I like better, and it isn’t jarring and off filter like the other routine. I’m sorry to those of you who love it: “Roadhouse” (“My Favorite Trick”, “That Thing with the Boobs”) is gone. And so I continue to strive toward excellence and pull away from the mediocre.

I need a director. I need to put my script into the hands of someone with great directing talent and see what they interpret. Someone who will get what I’m trying to do, and direct me, improving the experience for those who watch.

I need either original music or someone to ‘score’ the act. Add to the impact, add depth to the feeling.

I need a lighting designer. I have and idea for a window … but there needs to be subtle light changes as the show evolves.

And so on. The road stretches out and I will continue to polish and display my heart to the best of my ability. Meantime, I am loving the process and the souls I meet.

Happiness is the Road.

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